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Moss Grew on the Swords and Plowshares Alike
by Kayo Dot
supported by 96 fans who also own “How to Die”
Bought this one without listening. Was expecting a cybergrind outfit. Confused. Not disappointed.
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supported by 82 fans who also own “How to Die”
This album not weird so much as unique. Channeling post-punk, industrial, and jagged metallic elements, Psalm Zero wields a broad palate in their musical endeavours. The use of occasional harsh vocals breaks up tracks in unexpected ways. Each songs springs forward with a melodic drive that counters it's metal basis.
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supported by 75 fans who also own “How to Die”
"There goeth before [King Paimon] also an Host of Spirits, like Men with Trumpets and well sounding Cymbals, and all other sorts of Musical Instruments. He hath a great Voice, and roareth at his first coming...."
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Before The Day Has Gone
by Bellini
Ten years may have passed since the last Bellini record, but the math rock group sound as fierce as ever.
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The enigmatic Frank Ene's solo record lives in a magical world where Serge Gainsbourg fronts Yellow Magic Orchestra.
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The Pittsburgh indie rock band's first album gets a vinyl rerelease on their new label, Saddle Creek.
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supported by 72 fans who also own “How to Die”
Impatient listeners are weeded out in the opening 5 minutes, while those who persevere are treated to an unforgettable experience. This monster weaves an impossibly dense tapestry of sound with the replay value of a Final Fantasy. Scalding technical metal, rich chamber compositions and some trademark twists provide a great soundtrack to the lyrical concept. This seamless union between words and music creates a vivid and powerful narrative. Amongst the finest works of a one of a kind band.
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