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Moss Grew on the Swords and Plowshares Alike
by Kayo Dot
supported by 96 fans who also own “The Play of Tooth and Claw”
Bought this one without listening. Was expecting a cybergrind outfit. Confused. Not disappointed.
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supported by 82 fans who also own “The Play of Tooth and Claw”
This album not weird so much as unique. Channeling post-punk, industrial, and jagged metallic elements, Psalm Zero wields a broad palate in their musical endeavours. The use of occasional harsh vocals breaks up tracks in unexpected ways. Each songs springs forward with a melodic drive that counters it's metal basis.
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supported by 75 fans who also own “The Play of Tooth and Claw”
"There goeth before [King Paimon] also an Host of Spirits, like Men with Trumpets and well sounding Cymbals, and all other sorts of Musical Instruments. He hath a great Voice, and roareth at his first coming...."
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Before The Day Has Gone
by Bellini
Ten years may have passed since the last Bellini record, but the math rock group sound as fierce as ever.
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The enigmatic Frank Ene's solo record lives in a magical world where Serge Gainsbourg fronts Yellow Magic Orchestra.
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The Pittsburgh indie rock band's first album gets a vinyl rerelease on their new label, Saddle Creek.
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supported by 72 fans who also own “The Play of Tooth and Claw”
Impatient listeners are weeded out in the opening 5 minutes, while those who persevere are treated to an unforgettable experience. This monster weaves an impossibly dense tapestry of sound with the replay value of a Final Fantasy. Scalding technical metal, rich chamber compositions and some trademark twists provide a great soundtrack to the lyrical concept. This seamless union between words and music creates a vivid and powerful narrative. Amongst the finest works of a one of a kind band.
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